{"id":512,"date":"2022-09-02T03:42:13","date_gmt":"2022-09-02T01:42:13","guid":{"rendered":"https:\/\/infant.rs\/?p=512"},"modified":"2022-09-09T12:57:24","modified_gmt":"2022-09-09T10:57:24","slug":"miss-julia","status":"publish","type":"post","link":"https:\/\/infant.rs\/en\/miss-julia\/","title":{"rendered":"MISS JULIA"},"content":{"rendered":"

BURGTHEATER Wien (Austria)<\/strong>
\nFRAULEIN JULIE (Gospo\u0111ica Julija)<\/strong>
\nAugust Strindberg<\/strong><\/p>\n

 <\/p>\n

Summer 1888. It has not taken August Strindberg long at all to write MISS JULIE. He committed it to paper between 22 July and 10 August, and in the ensuing weeks he wrote his famous preface (perhaps taking longer than for the play itself): \u201eAs modern characters living in an age of transition more urgently hysterical at any rate than the age which preceded it, I have described my figures as more vacillating and disintegrating than their predecessors, a mixture of the old and the new.\u201c
\nToday we again find ourselves in a period of transition with dwindling security. If nothing else, the reason the plays of the late 1800s are still so relevant today is because they are messages from periods of upheaval, and because, in a way, we are just as lost as Jean and Julie. And because, when two entities are daydreaming and a third is scheming, there is no doubt as to who will be seizing the power.<\/p>\n

CAST:<\/strong><\/p>\n

DIRECTOR: Mateja Kole\u017enik
\nSET DESIGNER: Raimund Orfeo Voigt
\nCOSTUME DESIGNER: Ana Savi\u0107 Gecan
\nCHOREOGRAPHER: Matija Ferlin
\nMUSIC: Michael Gumpinger
\nLIGHTING DESIGN: Norbert Piller
\nDRAMATURGE: Gotz Lineweber<\/p>\n

Cast:
\nSarah Viktoria Frick: Kristin
\nMaresi Riegner: Julie
\nItay Tiran: Jean<\/p>\n

 <\/p>\n

Mateja Kole\u017enik<\/strong><\/p>\n

Mateja Kole\u017enik is one of the leading names in Slovenian theatre. She studied Philosophy and Comparative Literature at the Faculty of Philosophy in Ljubljana, and then Theatre and Radio Directing at the AGRFT in Ljubljana, which she completed in class of Professor Du\u0161an Jovanovi\u0107.
\nAt the beginning of her career, she performed as a singer-songwriter, going on to assist the famous director and scenographer Meti Ho\u010devar for several years. Since then, thanks to her directing poetics, she has grown into a figure whose plays are staged in Slovenia, Croatia and all over Europe. Kole\u017enik\u2019s theatrical biography includes works by David Hare, Martin McDonagh, David Harrower, Susan Sontag.
\nAmong others, Kole\u017enik has won the Pre\u0161eren Award, a Slovenian recognition for the greatest achievements in culture. Her staging of \u201cKnives in Hens,\u201d which we have had an opportunity to see in our country, earned her the Bor\u0161tnik Award, and she received the same award in 2004 for the set design for the play \u201cDeath of a Traveling Salesman.\u201d
\nAs a theatre director, her notable productions include the plays \u201cBeauty Queen Of Leenane,\u201d \u201cAntigone in New York,\u201d \u201cThe Birthday Party,\u201d \u201cThree Tall Women,\u201d \u201cHow I Learned to Drive,\u201d \u201cWho\u2019s Afraid of Virginia Woolf?\u201d, among others.<\/p>\n

photo: Susanne Hassler-Smith<\/p>\n

\"Gospo\u0111ica \"Gospo\u0111ica \"Gospo\u0111ica \"Gospo\u0111ica \"Gospo\u0111ica \"Gospo\u0111ica<\/p>\n

 <\/p>\n

\"Gospo\u0111ica<\/p>\n

(Gospo\u0111ica Julija)
\nAugust Strindberg<\/p>\n

 <\/p>\n

Summer 1888. It has not taken August Strindberg long at all to write MISS JULIE. He committed it to paper between 22 July and 10 August, and in the ensuing weeks he wrote his famous preface (perhaps taking longer than for the play itself): \u201eAs modern characters living in an age of transition more urgently hysterical at any rate than the age which preceded it, I have described my figures as more vacillating and disintegrating than their predecessors, a mixture of the old and the new.\u201c
\nToday we again find ourselves in a period of transition with dwindling security. If nothing else, the reason the plays of the late 1800s are still so relevant today is because they are messages from periods of upheaval, and because, in a way, we are just as lost as Jean and Julie. And because, when two entities are daydreaming and a third is scheming, there is no doubt as to who will be seizing the power.<\/p>\n","protected":false},"excerpt":{"rendered":"

BURGTHEATER Wien (Austria) FRAULEIN JULIE (Gospo\u0111ica Julija) August Strindberg   Summer 1888. It has not taken August Strindberg long at all to write MISS JULIE. He committed it to paper between 22 July and 10 August, and in the ensuing weeks he wrote his famous preface (perhaps taking longer than for the play itself): \u201eAs… Continue reading MISS JULIA<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":400,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/posts\/512"}],"collection":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/comments?post=512"}],"version-history":[{"count":2,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/posts\/512\/revisions"}],"predecessor-version":[{"id":617,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/posts\/512\/revisions\/617"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/media\/400"}],"wp:attachment":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/media?parent=512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/categories?post=512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/tags?post=512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}