{"id":488,"date":"2022-09-02T03:18:30","date_gmt":"2022-09-02T01:18:30","guid":{"rendered":"https:\/\/infant.rs\/?page_id=488"},"modified":"2022-09-05T22:30:50","modified_gmt":"2022-09-05T20:30:50","slug":"programme","status":"publish","type":"page","link":"https:\/\/infant.rs\/en\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"

\u201cMISS JULIA\u201d<\/a><\/h2>\n

Saturday, 10th September 2022 at 6 pm \u2013 Big Stage, Serbian National Theatre
\nAugust Strindberg; Directed by Mateja Kole\u017enik
\nBurgtheater, Vienna (Austria)<\/p>\n

\"Gospo\u0111ica<\/p>\n

\u201cWOYZECK\u201d<\/a><\/h2>\n

Sunday, 11th September 2022 at 8 pm \u2013 Big Stage, Serbian National Theatre
\nGeorg B\u00fcchner; Directed by Attila Vidny\u00e1nszky Jr.
\nNational Theatre, Budapest (Hungary)<\/p>\n

 <\/p>\n

\"Vojcek<\/p>\n

\u201cSEDIMENT\u201d<\/a><\/h2>\n

Monday, 12th September 2022 at 8 pm \u2013 Big Stage, Serbian National Theatre
\nKatarina Morano; Directed by \u017diga Divjak
\nCity Theatre of Ljubljana, Ljubljana (Slovenia)<\/p>\n

 <\/p>\n

\"Talog<\/p>\n

\u201eKAFKA \u041cachine\u201c<\/a><\/h2>\n

Tuesday, 13th September 2022 at 8 pm \u2013 Small Stage, Serbian National Theatre
\nFranz Kafka; Directed by: Veljko Mi\u0107unovi\u0107
\nSerbian National Theatre, Novi Sad (Serbia)<\/p>\n

\"Kafka<\/p>\n

 <\/p>\n

The members of the Jury are:<\/h2>\n

1. Nikolina Djukanovi\u0107 – a dramatist
\n2. Sonja Petrovi\u0107 – a theatre director
\n3. Ozren Grabari\u0107 – an actor<\/p>\n

 <\/p>\n

Nikolina Djukanovi\u0107 – a dramatist<\/strong><\/p>\n

Nikolina Djukanovi\u0107 graduated in Comparative Literature from the Faculty of Philosophy in Novi Sad. During her studies, she acted as a moderator at the Prosefest and Brankovo \u200b\u200bkolo festivals, where she had the opportunity to collaborate with the most famous contemporary writers and poets. After graduating, she enrolled in the Comparative Literature Master\u2019s Degree programme at the Faculty of Philosophy in Novi Sad and Dramaturgy Master\u2019s Degree programme, in class of Professor Uglje\u0161a \u0160ajtinac, at the Academy of Arts in Novi Sad. In the academic year 2013\/2014, she started her PhD in Language and Literature, going on to give practical training for the course Traditional Rhetoric the following year. During the summer of 2013, she participated in the European project \u2013 Experimental Theater Academy in Ptuj (Slovenia), mentored by the prominent theatre director Ivica Buljan. Radio Television of Vojvodina has recorded and broadcast her radio-drama Find a Job or Deep Vein Thrombosis. She has written several stories and miniatures for their drama programme. Nikolina Djukanovi\u0107 has also worked as a critic at the Sterijino pozorje festival. She defended her Master\u2019s Degree thesis at the Academy of Arts in Novi Sad with the original dramatic text The Man Who Ate Death, which was staged at the theatre in Prijedor in 2015. Since 2015, she has been employed at the Serbian National Theatre.<\/p>\n

 <\/p>\n

Director Sonja Petrovi\u0107<\/strong><\/p>\n

Sonja Petrovi\u0107 is a director of a complex theatre composite, whose plays, such as \u201cWho Killed Janis Joplin?\u201d, \u201cA Little Match Girl,\u201d \u201cAt the Eternal Faucet\u201d, bring the audiences back to the theatre.<\/p>\n

A native of Ba\u010dka Palanka, Sonja Petrovi\u0107 graduated from the Academy of Arts in Novi Sad \u2013 majoring in Multimedia Directing in class of Professor Aleksandar Davi\u0107. She earned her Master\u2019s Degree from the Faculty of Dramatic Arts in Belgrade in class of Egon Savin. Today, she is the manager of the Ecological Theatre Festival for Children and Youth in Ba\u010dka Palanka. She has directed, among other things, the opening ceremony of the Youth Capital of Europe Novi Sad 2019 and the opening ceremony of the music festival Exit \u201cFreedom\u201d 2018.<\/p>\n

Sonja Petrovi\u0107 is an eloquent person whose opinion is valued off the stage as well. In her interviews, she often talks about the importance of dialogue, as well as of learning to live in the present, not in the past, as we in the Balkans often do. Sonja Petrovi\u0107 says that she dreams of a theatre that is part of a collective act, a space of conflict, exchange of views and opinions, about a theatre that is constantly in a slight clinch and that inspires debate and reflection. She dreams of a theatre where actors feel comfortable and consciously stand behind it, of a theatre whose processes are healthy, pleasant and productive. She dreams of a courageous theatre, one that doesn\u2019t play it safe, but explores; one that is ready to take risks, even at the cost of a big failure.<\/p>\n

 <\/p>\n

Actor Ozren Grabari\u0107<\/strong><\/p>\n

Ozren Grabari\u0107 is a rare thespian bird. An actor of self-effacing stage genius, effervescent curiosity, precise lucidity, always different and unrepeatable \u2013 supple and unrestrained at the same time.
\nBorn on 17 July 1980 in Zagreb, Ozren Grabari\u0107 completed his secondary education in Barcelona, and graduated from the Academy of Dramatic Arts in Zagreb, where he is currently an Assistant Professor in the Department of Stage Speech. He is a member of the City Drama Theatre \u201cGavela\u201d. He is fluent in Spanish, Catalan and English.
\nHe has worked with a number of renowned theatre directors in the region, among others, with Paolo Magelli, Slobodan Unkovski, Aleksandar Popovski, Edward Miller, Toma\u017e Pandura, Mateja Kole\u017enik, Sta\u0161a Zurovac, Rene Medve\u0161ek…
\nHis memorable performances include: \u201cPeer Gynt,\u201d \u201cRichard the Third,\u201d \u201cTartuffe.\u201d \u201cA Midsummer Night’s Dream,\u201d, \u201cMessrs. Glembay,\u201d \u201cCrime and Punishment,\u201d \u201cThree Sisters\u201d… The highlight of his work so far is the ingenious role in the play \u201cHinkmann\u201d directed by Igor Vuk Torbica in the Zagreb Youth Theatre.<\/p>\n

Grabari\u0107 is well-known to both cinema and TV audiences. He has given excellent performances in the film \u201cVegetarian Cannibal\u2019 and the series \u201cBums and Princesses.\u201d Commenting on our time in one of the recent interviews, he said: \u201cThe key things for the development of a society are education and culture. Those are the two most important levers for a society that do not bring profit overnight. But, by investing in them, in terms of a systematic rethinking of education and culture, in 20 years\u2019 time, we would have a society that would be galloping in the economic sense as well.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cMISS JULIA\u201d Saturday, 10th September 2022 at 6 pm \u2013 Big Stage, Serbian National Theatre August Strindberg; Directed by Mateja Kole\u017enik Burgtheater, Vienna (Austria) \u201cWOYZECK\u201d Sunday, 11th September 2022 at 8 pm \u2013 Big Stage, Serbian National Theatre Georg B\u00fcchner; Directed by Attila Vidny\u00e1nszky Jr. National Theatre, Budapest (Hungary)   \u201cSEDIMENT\u201d Monday, 12th September 2022… Continue reading Programme<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/pages\/488"}],"collection":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/comments?post=488"}],"version-history":[{"count":6,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/pages\/488\/revisions"}],"predecessor-version":[{"id":564,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/pages\/488\/revisions\/564"}],"wp:attachment":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/media?parent=488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}