{"id":474,"date":"2022-09-02T02:51:36","date_gmt":"2022-09-02T00:51:36","guid":{"rendered":"https:\/\/infant.rs\/?page_id=474"},"modified":"2022-09-06T11:52:39","modified_gmt":"2022-09-06T09:52:39","slug":"publishing","status":"publish","type":"page","link":"https:\/\/infant.rs\/en\/publishing\/","title":{"rendered":"Publishing"},"content":{"rendered":"\n
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NEW THEATRE STRATEGIES 1<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Simon Grabovac, editor<\/strong><\/p>\n\n\n\n

Papers from International Symposium held on 2nd INFANT, International Festival of Alternative and New Theatre<\/p>\n\n\n\n

I\/ The Performance of the 90-ies \u2013 stage and its outside<\/strong><\/p>\n\n\n\n

Mi\u0161ko \u0160uvakovi\u0107<\/em>: Postmodern performance
Dubravka \u0110uri\u0107<\/em>: Performance poetry
Nela Antonovi\u0107<\/em>: The communication of non-verbal expression of the street performans
Entoni Hauel<\/em>: Similitude or repetition
Vladimir Kopicl<\/em>: Minimalism and technology
Aleksandar Davi\u0107<\/em>: Performance and video art
Andrej Ti\u0161ma<\/em>: The artist by himself<\/p>\n\n\n\n

II\/ New theatre \u2013 theatre of seduction<\/strong><\/p>\n\n\n\n

Katarina Pejovi\u0107<\/em>: Love and state
Marko Ko\u0161nik<\/em>: The basics of interactive work (with regard to its potentials in theatre)
Jadranka An\u0111eli\u0107<\/em>: The parallel world of the new theatre
Dijana Milo\u0161evi\u0107<\/em>: The new theatre
Rok Vevar<\/em>: Body in ancient Greece or torsos of ancient artworks
Divna Vuksanovi\u0107<\/em>: Corporeal strategies of theatre \u2013 an aesthetic miniature on an alluring shopwindow
(teorijski pristup tzv. postmodernom teatru)
Ksenija Radulovi\u0107<\/em>: Seductiveness of an old muse
Zoran R. Popovi\u0107<\/em>: Language of theatre
Aleksandra \u0110uri\u010di\u0107<\/em>: The new music theatre<\/p>\n\n\n\n

Cultural Centre of Novi Sad, 1997<\/p>\n<\/div>\n<\/div>\n\n\n\n

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NEW THEATRE STRATEGIES 2<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Simon Grabovac, editor<\/strong><\/p>\n\n\n\n

Papers from International Symposium held on 3rd INFANT, International Festival of Alternative and New Theatre<\/p>\n\n\n\n

Simulation and attraction: frontiers of new theatre<\/strong>
Vladimir Kopicl<\/em>: Post human scene: from the body to the machine
Aleksandra \u0110uri\u010di\u0107<\/em>: Assay about borders of the dancing theatre
Zoran R. Popovi\u0107<\/em>: Introduction in third life<\/p>\n\n\n\n

Theatre and (its) prosthesis<\/strong>
Mi\u0161ko \u0160uvakovi\u0107<\/em>: Metaphysics and history of prosthesis in western theatre
Igor Markovi\u0107<\/em>: Significance of interaction man\/machine<\/p>\n\n\n\n

Audience in theatrical machine<\/strong>
Divna Vuksanovi\u0107<\/em>: Audience in theatrical machine: towards new subject-object relation
Goran Goci\u0107<\/em>: Journalism vs. assays
Critic vs. spectators
Simon Kardum<\/em>: What is art?
Martina Ulmanova<\/em>: Audience in theatre<\/p>\n\n\n\n

Extended scene, (para) theatre, catharsis<\/strong>
Balint Sombati<\/em>: Artistic performance: art of sparkle and nomadism
Aleksandar Milosavljevi\u0107<\/em>: Protest as theatre
Ksenija Radulovi\u0107<\/em>: Between reality and play
Andrej Ti\u0161ma<\/em>: Spiritual radiation of the performers<\/p>\n\n\n\n

Cultural Centre of Novi Sad, 1998<\/p>\n<\/div>\n<\/div>\n\n\n\n

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NEW THEATRE STRATEGIES 3<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Simon Grabovac, editor<\/strong><\/p>\n\n\n\n

Papers from International Symposium held on 5th INFANT, International Festival of Alternative and New Theatre<\/p>\n\n\n\n

Mi\u0161ko \u0160uvakovi\u0107<\/em>: Deconstruction of dramatic text. Around a zero degree of text in theatre and performance
Divna Vuksanovi\u0107<\/em>: Art in besieged cities \u201cwhite flag\u201d of theatrical language: a play of conventions and (self) destructions
Zoran R. Popovi\u0107<\/em>: Landscape after the battle
(or about theatres of subsequent consciousness)
Vladimir Kopicl<\/em>: Fraudian renovations \u2013 post constructions: continuation before the beginning
Aleksandar Milosavljevi\u0107<\/em>: Zero point of our reality
Zorica Jevremovi\u0107<\/em>: Zero point: personal experience documents
Ksenija Radulovi\u0107<\/em>: On some difficulties in formulating the new<\/em> in our theatre
Milan Ma\u0111arev<\/em>: War time psychodramatic workshop
Neboj\u0161a Broci\u0107<\/em>: Zero point \u2013 the strategy of survival
Janko Ljumovi\u0107<\/em>: Alternative, agitprop or something third
Marina Milivojevi\u0107-Ma\u0111arev<\/em>: Zero point
Aleksandra \u0110uri\u010di\u0107<\/em>: Theatre of subsequent images \u2013 between the desired and the real<\/p>\n\n\n\n

Cultural Centre of Novi Sad, 2000<\/p>\n<\/div>\n<\/div>\n\n\n\n

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TOWARDS DIFFERENT THEATRE<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Simon Grabovac, editor<\/strong><\/p>\n\n\n\n

Special edition magazine for literature and theory POLJA<\/p>\n\n\n\n

Jadranka Andeli\u0107<\/em>: Towards different theatre
Slobodan Be\u0161ti\u0107<\/em>: Towards different theatre
Boro Dra\u0161kovi\u0107<\/em>: Towards different theatre
Simon Grabovac<\/em>: Towards different theatre
Aleksandar Mladenovi\u0107<\/em>: Awakening of theatrical being
Zoran R. Popovi\u0107<\/em>: What happen with theatre, sir?
Veljko Radovi\u0107<\/em>: There is no spirit of judging in our theatre
Mi\u0161ko \u0160uvakovi\u0107<\/em>: The questions about theatre in crises or why theory!?
Ana Vujanovi\u0107, Bojan \u0110or\u0111ev<\/em>: Theoretical practice and artistic production \u2013 from confrontation until underproduction
Divna Vuksanovi\u0107<\/em>: Extended scenes of theatre<\/p>\n\n\n\n

Cultural Centre of Novi Sad, 2003<\/p>\n<\/div>\n<\/div>\n\n\n\n

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NEW THEATRE STRATEGIES 5<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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After each edition of the INFANT Festival, there is a publication of a collection of essays presented at its International Symposium. From the first publication onwards, all the editions have born the same title \u2013 \u201cNew Theatre Strategies\u201d, followed by a subtitle which is actually the motto of that Festival, as well as the same artwork and technical equipment appropriate to a bilingual publication in Serbian and English.
The collection No 5 has the same subtitle as the introductory text by Zoran R. Popovi\u0107 \u201cTheatre-Phenomena-Consequences\u201d, which attempts to raise the questions of the place of theatre in regard to the current cultural phenomena. Besides this text, the collection No 5 brings the texts by Ivana Vuji\u0107, Ana Vujanovi\u0107, Andre Wuelfing, Dijana Milo\u0161evi\u0107, Nela Antonovi\u0107, Ivan Pravdi\u0107 and Sanja Krsmanovi\u0107 Tasi\u0107.<\/p>\n\n\n\n

Papers from International Symposium held on 13th INFANT, International Festival of Alternative and New Theatre
\u201cTheatre-Phenomena-Consequences\u201d<\/p>\n\n\n\n

Editor: Simon Grabovac<\/strong><\/p>\n\n\n\n

Zoran R. Popovi\u0107:<\/em> Theatre-Phenomena-Consequences, A Questionnaire for
Further Theatrical Re-examination
Ivana Vuji\u0107:<\/em> Digitopolis, The Natural Theatre of Oklahoma and The Pink Child
Ana Vujanovi\u0107:<\/em> Not Entirely Western, Yet Not Exactly an Eastern Scene;
Several Critical Theses on the Contemporary Dance Scene in Serbia
Andre Wuelfing:<\/em> What Is New in Theatre?
Dijana Milo\u0161evi\u0107:<\/em> Theatre as Establishing the Threads of Memory
Nela Antonovi\u0107:<\/em> The Future of a Broken Mirror in a Parallel Theatre Story
Ivan Pravdi\u0107:<\/em> The Design of Time, a Practicum of Media and Live Dramaturgy
Sanja Krsmanovi\u0107 Tasi\u0107:<\/em> Theatre of Truth \u2013 or Why Theatre Still Has a Chance
Drawing Theatre<\/p>\n\n\n\n

Cultural Centre of Novi Sad, 2008<\/p>\n<\/div>\n<\/div>\n\n\n\n

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NEW THEATRE STRATEGIES 6<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Papers from International Symposium held on 14th INFANT, International Festival of Alternative and New Theatre
\u201cTransmedial Theatre\u201d<\/p>\n\n\n\n

Editor: Simon Grabovac<\/strong><\/p>\n\n\n\n

Ivana Kronja:<\/em> Theatre and mass media: Towards transmedial theatre
Zoran R. Popovi\u0107:<\/em> Towards a different arrangement of reality
Dragan Radovan\u010devi\u0107:<\/em> Transmedial theatre
Nela Antonovi\u0107:<\/em> Transmedial theatre and transmedial critique
Ivan Pravdi\u0107:<\/em> Transmedial theatre \u2013 Causes and procedures
Nikola Nikoli\u0107:<\/em> Workshop-Urban set design
Dijana Milo\u0161evi\u0107:<\/em> Lifting the veil: What have they done to us?
Sanja Krsmanovi\u0107 Tasi\u0107:<\/em> The Actor of the 21st century contemporary theatre: Roles and responsibilities<\/p>\n\n\n\n

Cultural Centre of Novi Sad, 2008<\/p>\n<\/div>\n<\/div>\n\n\n\n

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A NEW CCNS PUBLICATION: \u201cDIALOGUE ON FESTIVALS\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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EXPLOSIVE REPRESENTATIVENESS<\/strong>
The Cultural Centre of Novi Sad organised a meeting with the topic of a \u201cDialogue on Festivals\u201d in October last year. Soon after that, the reading audiences were offered a book with the same title published by CCNS and signed by Simon Grabovac, in the role of the project author and editor. In his introductory text he explains that a serious dialogue on festivals is simply an imposition invited by the fact that our cultural environment has become a field of a virtual explosion of events of this type. Grabovac points out that besides the positive side (relevance, success, theoretical advances) the phenomenon (of such an explosion) of festivals has its negative aspects as well (financial disproportion, different levels of quality, a lack of integration)\u2026<\/em>
I. Buri\u0107
Dnevnik, 23rd March 2009<\/p>\n\n\n\n

One of the authors represented in this book is architect Radivoje Dinulovi\u0107, whose text deals with public space as a festival stage. Yesterday, Dinulovi\u0107 pointed out some of the dilemmas revealed in the interaction of festivals and public spaces, such as the issue of what attitude public events have towards urban spaces. Some other texts in this collection dedicated to festivals discuss the same issues, among which Dinulovi\u0107 selected the contributions of Jovan \u0106irilov and Milena Dragi\u0107evi\u0107-\u0160e\u0161i\u0107. Besides these authors, \u201cDialogue on Festivals\u201d brings the texts by Jelena Jankovi\u0107, Sr\u0111an Vu\u010dini\u0107, Simon Grabovac, Dimitrije Vujadinovi\u0107, Dijana Milo\u0161evi\u0107 and Milovan Zdravkovi\u0107.
N. Pej\u010di\u0107
Dnevnik, 27th February 2009<\/p>\n<\/div>\n<\/div>\n\n\n\n

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PROSIJAVANJE: 35 godina festivala druga\u010dijeg teatra<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Simon Grabovac<\/strong><\/p>\n\n\n\n

\u2026\u201dThe disintegration and crumbling of our shared state meant that all the relevant reasons for the existence of such a festival were gone, except for the one: artistic. Sensing the gravity of the problem a festival under the name the Festival of New Theatre was held as soon as 1994. This was the first step towards the transformation of the Small Pozorje into a somewhat different (international) festival with a stronger side programme, but essentially the same festival which was to gathers, reflect and evaluate alternative, exploratory and generally different theatre. Besides the desire and an inner cultural drive of the Cultural Centre\u2019s employees to raise the programmatic and production quality and thus create a relevant theatre festival in this part of Europe and the need to clear a new competitive and creative ground for our young, and all other, theatre activists with an inclination toward exploration, it was supposed to be the driving force for starting and supporting creative and critical spirit of young authors and educate them in different forms and possibilities of creative approaches and theatrical techniques. The festival was meant to have all the essential aspects which would make it complete: a selector, artistic board, round tables, symposiums, to be competitive, to follow and present new trends in all border fields of other arts: visual, film, video\u2026 the media.<\/em>\u201c\u2026<\/p>\n<\/div>\n<\/div>\n\n\n\n

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THE NEW THEATRE AND AVANT-GARDE<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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International Symposium 36th INFANT
International Festival of Alternative and New Theatre<\/p>\n\n\n\n

Editor: Simon Grabovac<\/strong>
Zoran R. Popovi\u0107: AVANT-GARDE. A RECONSTRUCTION
Ana Tasi\u0107: HISTORICAL AVANT-GARDE AND POSTDRAMATIC THEATRE
Ivana Vuji\u0107: THE NEW THEATRE AND AVANT-GARDE IN SERBIA
Vlatko Ili\u0107: HOW DOES THE DISCIPLINE REMEMBER?
Dijana Milo\u0161evi\u0107: THE PHENOMENON OD DURABILITY
Ivana Kronja: AVANT-GARDE FILM AS AN ARTISTIC HERITAGE OF THE 20th CENTURY<\/p>\n\n\n\n

Cultural Centre of Novi Sad, 2010.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Simon Grabovac, editor Papers from International Symposium held on 2nd INFANT, International Festival of Alternative and New Theatre I\/ The Performance of the 90-ies \u2013 stage and its outside Mi\u0161ko \u0160uvakovi\u0107: Postmodern performanceDubravka \u0110uri\u0107: Performance poetryNela Antonovi\u0107: The communication of non-verbal expression of the street performansEntoni Hauel: Similitude or repetitionVladimir Kopicl: Minimalism and technologyAleksandar Davi\u0107:… Continue reading Publishing<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-archive.php","meta":{"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/pages\/474"}],"collection":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/comments?post=474"}],"version-history":[{"count":4,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/pages\/474\/revisions"}],"predecessor-version":[{"id":608,"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/pages\/474\/revisions\/608"}],"wp:attachment":[{"href":"https:\/\/infant.rs\/en\/wp-json\/wp\/v2\/media?parent=474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}