Author, performer and original music: Predrag Radovancević (Serbia)
Video: Marko Stoimenov

The author of the performance starts the performative life in modern Babel. Maturing yields the need to criticise politics, religion and art. A subject’s positioning in the world of illusions leads to a desire for (auto)destruction. Theatrical debunking is an attempt at demystification of simulacrum and all its manifestations. An organic approach to theatre of movement is reflected in ritualisation, through original music and abstract symbolism.